

At Eveleigh Market I met a fellow cardboard afficionado... A customer showed me the cardboard handbag she'd bought from him, so I went to the other end of the market shed to check it out.
"I work with cardboard too!" We both started waxing lyrical... "I love it! It's simple but elegant... It's raw... It's abundant... I love the 'fluting' inside... yeah, the corrugations, I love the edges too!" Well, something like that...
His name is Jeff McCann... he's from Wagga Wagga but was having an artist's residence at Gaffa Gallery in the Sydney CBD.
One of Jeff McCann's paintings on cardboard - image via Between the Sheets of Cardboard
Jeff makes cardboard handbags/satchels, they're folded into a delicious pillowy shape, with brown paper tabs along the sides. He says he likes cutting up the big brands and featuring bits of text and colour. I do that too in my collages. Sometimes he does that, other times he decorates with original drawings. My friend Kirsten bought one with a gorgeous Fox on the front.
Jeff McCann's flute handbags - image (left) via www.jeffmccann.com.au Photograph by Rory Madigan. www.omigadesign.com. Image (right) via Between the Sheets of Cardboard
Find out more about Jeff's work here at The Cardigan Threads Collective.
Jeff was sharing a stall with Nina Baker, from The Side Project. Nina's work is awesome! It's edgy and beautiful. Some of Nina's jewellery designs feature thin strips of metal collected from the street - they've fallen out of street sweeping machine brushes.
I snapped one up at a previous market! It's got two strips of metal, some bright yellow teardrop beads and a tiny pearl, on silk thread.
Read more about the street sweeper jewellery here - and also here
I also love The Side Project's brooches - photos printed onto aluminium sheet - quirky images like burlesque beauties from a bygone era, Australian scenes - street signs, suburban homes. More images here at sideprojectcollective.com
This one's mine all mine. Ain't she beautiful?!
Mind you, this is just the "side project"- more on Nina's jewellery here
That is one of the great things about doing markets - meeting other like-minded people who love to create.
Guerilla knitting hit Sydney a few years ago, and it still brings a smile to my face. The other day, I discovered some delightfully quirky guerilla crochet close to home, when I went out for an afternoon walk.
A lovely vine creeping around a wooden pole, with a mixed bunch of crocheted flowers and leaves. Love it!
Read more about Sydney's most famous guerrilla knitter, Denise Litchfield... and a little "how to guide" in case you get the urge!
Walking past a painted mural on a corrugated iron fence in Newtown, the deteriorating paint caught my eye. It was split, cracked and bubbled, with rust? Straight away, it reminded me of natural decay.
Then as I looked closer (with my camera), I began to see beautiful colours and textures, which again reminded me of nature...
...leaf veins... sun-baked mud...
...coral reefs... viewed from the air...
I got caught up for a moment in this hidden world.
This street art has really captured my imagination, it's so poetic and whimsical... living graffiti 'made' from moss.
Eco graffiti by Anna Garforth and Eleanor Stevens. Image source: www.yatzer.com
Apparently, a mix of yoghurt and sugar was used to stick the moss onto the bricks.
Another method is to blend moss with yoghurt and sugar and then paint it onto the wall. After a few weeks of being watered with a spray mister, the moss begins to grow.

Eco graffiti by Anna Garforth and Eleanor Stevens. Image source: www.yatzer.com
Beautiful, harmless, and moss feels so beautiful to touch!

Eco graffiti by Anna Garforth and Eleanor Stevens. Image source: www.yatzer.com
Read more about this project by Anna Garforth and Eleanor Stevens
The discards of the creative process can be just as interesting as the finished product, maybe more so!
At Spacecraft textile studio in Melbourne, the backing cloth covering the printing table becomes saturated with different elements of each successive design. Rather than simply throw these away, Spacecraft find chance compositions and then sell them as backing cloth "paintings". They also turn the backing cloth into soft cube seating.
Source: spacecraftaustralia.com
Spacecraft, you make re-use look sooo good!
I've long been an admirer of artist Rosalie Gascoigne. I find her work, and her story, really inspirational. Born in New Zealand, she worked in Australia from 1974 to 1999. She established a reputation as one of Australia’s foremost contemporary artists, yet had her first serious exhibition at the age of 57.
Gascoigne worked mostly with found materials: drinks crates, road signs, floral lino, enamelware, galvanised tin, corrugated iron and masonite. Some of her most iconic works are abstract grids of letters and word fragments - black text on yellow backgrounds, found on wooden Schweppes soft-drink crates and reflective road signs.
Rosalie Gascoigne exhibition at The Ian Potter Centre: NGV Australia at Federation Square, Melbourne 2009:

Source: aliasfreq at flickr.com

Source: aliasfreq at flickr.com

Photo: Justin Fox
More information about Rosalie Gascoigne:
Recently I read on Indesignlive about a Melbourne artist, Brett Coelho, who has also been inspired by Gascoigne. Brett Coelho worked as a graphic designer for 10 years, before becoming a full time artist working with found materials and exploring nature as a theme in his art. His work celebrates the ordinary, finding beauty in the most unlikely of places. He has recently collaborated with Bleux Design who have produced prints for architectural use.
Image: Brett Coelho / Bleux Design Source: indesignlive.com
Image: Brett Coelho / Bleux Design Source: indesignlive.com
Read more about Brett Coelho and Bleux Design at indesignlive.com.
A highlight of my trip to the Northern Territory in September was the Desert Mob 2010 exhibition at the Araluen Arts Centre in Alice Springs. It's an annual exhibition of art from Aboriginal communities across the Western Desert region spanning the Northern Territory, South Australia and Western Australia.
We only had a short time there, but as I hurried from room to room, I felt exhilarated by the explosion of colour and the diversity of painting styles plus weaving, pottery and sculpture.
Here's a few pics of the exhibition catalogue:

Front cover of the catalogue: Harry Tjutjuna. Wati Ngintaka, Wati Nyiru, Wanka and Kungka Tjuta, 2009. Acrylic on linen 202 x 264 cm. Araluen Art Collection. Purchased from Desert Mob 2009.
Left: Sadie Singer. Old trucks, 2010. Acrylic on canvas 100 x 120 cm. Iwantja Arts.
Right: Nyarrapyi Giles. Warmurrungu, 2010. Acrylic on canvas 182 x 179 cm. Tjarlirli Art.

Left: Tommy Mitchell. Wakalpuka, 2010. Acrylic on canvas 101 x 76 cm. Warakurna Artists.
Right: Tiger Palpatja. Piltati ka Wati Tjakura, 2010. Acrylic on canvas 199 x 122 cm. Tjungu Palya.
Back in Sydney, I went to the open weekend at Art Gallery of NSW for the Art + Soul exhibition, and also loved the associated ABC tv series presented by curator Hetti Perkins and directed by Warwick Thornton.

Hetti Perkins, Art + Soul, ABC tv series 2010. Source: www.abc.net.au
One of the most astounding moments in the series, for me, was watching Aboriginal artist Mr Giles 'sing' a painting by another artist. Although he had never seen the artwork before, he immediately recognised and understood its story. It gave me goosebumps to realise the depth of meaning contained in these abstract works.
